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Kneeling,
I fold the belt in its center. Without thought, the belt is
wrapped around my waist, and secured with a quick tug. I rise,
bow, and step onto the mat. The dojo is silent, the students
have not yet arrived. Now is my time.
The mat
is cold. I begin my warm up process by lightly moving from
stance to stance. My legs have moved into these stances for
years, yet each morning is still a challenge. In time, I feel
again the liveliness in my legs, a sense of rooting in my
movement. As my brow begins to dampen with the dew of a light
sweat, I realize my kata training awaits.
I focus
on the attitude of the animals which my body will emulate.
The tiger -- aligned power, intensity, and committed follow
through. The crane -- grace and balance, unfurling extension.
Two animals of such diversity, one kata demanding the transition
and harmony between the two. On the first movement my opponent
appears. Each block, claw, punch, and kick are delivered for
the sake of survival. My opponent is real, my mind is free
from any other concern. As if before I had started, I have
ended. My opponent is defeated, yet my movement was imperfect.
I meditate, my gi saturated with the sweat of my efforts.
In my mind the kata is replayed, each subtle mistake is noted.
My next kata will be better. Silence, warmth, and clarity.
The door is opened, the time is now theirs. The student must
now become the teacher.
"The
student is like unto the needle. The teacher is as thread."
-- Myamoto Musashi.
The
Student and the Teacher by Trevor Haines (c) 1997
Back
to Main Articles Page | Five
Animal Controlling Order | Five
Levels of Technique Understanding
The Three Attacking
Animals | Multiple Attackers
| My Philosophy of Kenpo
| Prefix, Root, Suffix
Shaolin History of Five Animal
Kenpo | The Student and
the Teacher | Why Learn Five
Animal Kenpo?
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